Video Editing
The process of video editing for The Worx Studio respects the following parameters.
When an editor receives the footage, their primary goal is to make it as smooth and organized as possible. / To make your video’s flow ideal, you have to cut shots at the perfect time. Timing is critical! / The flow that the editor is trying to preserve is what makes the film great, and transitions (in conjunction with cutting) are a way to keep the pace of the film controlled. With the pace under control, the editor can focus on equally as important changes, such as continuity editing, colouring, layering, and sound editing. / Adjusting volumes levels and synchronizing audio clips with video clips can be anything but a walk in the park; however, it can also make your video exactly as it was intended. / With professional video editing you can create an emotion-evoking masterpiece, and it can make or break your video, which is why it’s just as important to choose the right video editor as it is to choose the right camera equipment.
That’s where The Worx Studio comes into the picture.
Dan is a multi-talented, multi-skilled individual. As a guitarist, he fronted many local bands during his 37-year career, bringing to his performances a passion and commitment that has made him a truly professional artist.
Dan has also been working as a multimedia artist for over 21 years and has specialized in video post-production and editing for over 12 years. Many of the documentaries, multi-cam live concerts and corporate videos have his signature on them.
Being a good editor requires a certain musical rhythm to understand how the process works. It’s easy to understand why so many of the most sought-after editors are musicians.
Dan knows his job and understands and works well with all types of videographers, producers, agents, managers and musicians. With Dan at the helm, you can be guaranteed a great final product. He’ll even take that extra step to work with the cameraman so that you get exactly what you envisioned from the beginning.